22 July 2009 @ 09:35 am
Torchwood Meta: On the Mismanagement of Gwen  

Poor Criccieth tried to wade into the Ianto/Gwen controversy and got a whole bunch of interesting comments for her trouble. In reading them, I realized that there will never be a meeting of the minds because the personal zeitgeists of the combatants are so different that there is no possibility of it. You start with a simple statement of how you see things, and suddenly accusations are flying in every direction. Better to stay out; there is no shortage of people who understand and appreciate your viewpoint, and life is too short and fandom too interesting to spend your life in slanging matches.

Having said that, I'd like to say a few things about Gwen, because I blame RTD completely for the dislike some people feel for her.

When I heard about the Torchwood cast, and the way they were described, I turned to my sister and said, rather sardonically, oh goody, another Rose/Doctor pairing. Mind you, I had liked Rose; she is probably RTD's best creation. Rose goes from a girl with no education and no prospects to a world-saving hero, and she does so quite believably. So when I heard about Gwen, I figured we were going to see something similar, but I wasn't particularly upset by it.

Unfortunately, Torchwood's own character derailed that approach. Rose/Nine are in a vacuum; even when Mickey or Jack are around, it's all about them. Rose is being shown the Universe and she's finding out that she has the brains and the moxie to cope with it and is exhilarated by it all; Nine is traumatized by the death of his whole race and his own part in it and he's basically being walked back from the edge of insanity by this little fireball he's educating. It's even worse in the second season, because the only character that truly could compete for attention with Rose, the one that turns the dynamic from two to three -- Jack -- isn't there at all. So Doctor Who is a two-people show. In different ways, the relationships between Martha and the Doctor and Donna and the Doctor play out in the same fashion.

In Torchwood, you have a team. Inevitably, people will look at the other characters and find someone to identify with that is not whom the creators expected. Clever creators let that happen naturally and take care to give all the characters a little bit of time and development. In this case (and I firmly believe it is because Gwen is RTD's alter ego, no matter how much he denies it), they didn't. There is very little character development in the first few episodes. Heres what you get: (1)Jack, who is sort of a known quantity from Doctor Who, but who is pictured as being darker and nastier due to his life experiences after being abandoned by the Doctor; (2)a pretty Asian science geek who is totally socially repressed; (3)a mouthy doctor with a penchant for using alien date rape drugs; (4)a ghostly presence in the background who looks good enough to eat; (4)the heroine girl who's supposed to explain it all to us.

And then Cyberwoman hit. And Gareth David-Lloyd acted his heart out. And suddenly there was a character almost anyone could identify with, and IT WASN'T GWEN.

Now, if the creators had been clever, they would have done something catastrophic TO GWEN and show us how she coped with it. But they never do. Tosh meets up with Mary, and has her heart well and truly broken, which drives her even deeper into her shell, but makes her incredibly more sympathetic; and Owen meets up with Diane and has his heart well and truly broken, and you glimpse the desperation inside him, and he becomes more sympathetic. Even Jack meets up with the real Jack and if you don't feel for the guy, you don't have a heart.

But Gwen? Gwen skates over everything, eyes opened wide and every stupid thing she does carries no consequences, because she is "the heart of the show". But a heart that is never broken is not very interesting. Worse, after a while, the character is not very sympathetic. The perfect example is Adrift. In spite of being repeatedly told to back off, she continues; even after Jack shows her Flat Holm, she decides that because she would have wanted to know, everyone else would too. Her consequence? Crying prettily in Rhys' arms. After Owen has become a hero and everybody realizes Tosh is heading for a nervous breakdown, GWEN IS STILL THE SAME. Hell, by the end of the second season, RHYS has grown more than Gwen.

The fact that Gwen is still likeable is wholly due to Eve Myles, because she pulls Gwen up by the scruff of the neck. And the fact that Eve and Kai have remarkable chemistry makes what you see of the relationship so beautiful and believable that you understand why Gwen, in spite of her attraction to Jack, would have ultimately chosen Rhys. And in (ahem) the season that never was, she is what Gwen should have developed to be. But we haven't been privy to that development, except in small fits and starts shoe-horned in between whole reams of Gwen adoration.

I am not a "fan-girl" or a slasher. I came to Torchwood as a science-fiction and Doctor Who fan. Much before I liked Jack/Ianto as a pairing, I liked them as characters. If you read my fic, I have always been sympathetic to Gwen; Jesus, you can't be more sympathetic than to make the woman the ancestor of a new line of Time Lords. But I did it because I believed in what Gwen could be, rather than what she had been.
 
 
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[identity profile] teachwriteslash.livejournal.com on July 22nd, 2009 04:39 pm (UTC)
I agree with you. One issue I had with the series that never was is the LEAP we saw with Gwen. From "I'm not sure I can" poor pitiful me in EW to what we saw in COE ... it was almost a different character. Like someone said "Well this is what we wanted Gwen to be" but they never GOT use there (just a glimpse with "I'm going down fighting in Stolen Earth). It's called character development. I was completely missing... what we did see was all Eve. Gwen needed to lose something worth losing permanently ... not have the magic reset fix Rhys ... yes, she lost in EW but so did Jack and Ianto. What about a personal loss?

I try to write Gwen ... especially in the UnVerse ... the way I would like her to be written in TW. I'm not kind to her in EI, but that is series 1 Gwen (remember the one who tossed the sharp object and set lose the alien and played "last snog" with a man whose GF just died - that Gwen)but she is growing.

Gwen is the definition of a static character in many ways ... but I think there is a larger issue here in some ways ... RTD and Co can't seen to write strong women well to save their lives. They wan't strong female characters but they can't write them. They wrote 1 - Donna - and that still had more to do I think with playing to Catherine Tate's strengths than writing. In some ways their best female characters are shrews ... Jackie, Sylvia, Francine

I re-watched Utopia/SOD/LOTL last weekend ... I had almost forgotten Mooning Martha ... where Jack comes off as bitchy about St. Rose ... Martha comes off as childish ... and I love Martha.
[identity profile] merucha.livejournal.com on July 22nd, 2009 05:01 pm (UTC)
You know, the thing about Martha, the thing that redeems her for me utterly, is that she looks at herself at the end of LOTL and pretty much says I'm leaving because I would lose all my hard earned self-respect if I didn't. No scene, no drama, call me when you can,I still care deeply for you but I got to move on. It was a bravura ending to her character's tenure.

Donna on the other hand... I want someone's head on a platter for what they did to Donna. And I agree... secondary female characters fare much better/are much better written than the "starring roles".

Edited 2009-07-22 05:02 pm (UTC)
[identity profile] kendermouse.livejournal.com on July 22nd, 2009 07:00 pm (UTC)
what they did to Donna is what made my partner give up on DrWho. It was an unnecessary and cheap shot to take down an AMAZING character (who i honestly couldn't STAND when she first appeared in "Runaway Bride" - but came to LOVE!) She would have been an AMAZING addition to Torchwood! ::Grin::

And Martha's finding of her own strength after a year of wandering the world... SUCH a nice thing to see! And i think you capture utterly WHY Martha is such a grand character AT THE END of the series.

re: Gwen. I think you're spot on with your observations above. I LOVE Eve. I love the chemistry between Gwen and Rhys. I wish they would have continued with the Gwen we caught a glimpse of in Kiss Kiss Bang Bang; the one who was the CLEAR LEADER in Jack's absence and who teased and touched Ianto so freely during his jokes about sushi. THAT was a Gwen i would have LOVED to have gotten to see/know. We see a touch of her again in Stolen Earth when she and Ianto send Jack on his way and then she rallies Ianto to face the Dalek. THAT was a Gwen to reckon with. A strong, confident Gwen who'd faced loss and GROWN into a better PERSON.

we never got that. We'd catch glimpses... but not enough to really show us more than a wide-eyed 2-dimensional "girly" playing a being a hero while actually turning out to be a very SILLY damsel in distress that had to be "saved" due to her own mistakes.

i'm not a gwen hater. I just wish they'd given us a better exploration of what she COULD grow to be.

peace,
the (longwinded... sorry) kendermouse
[identity profile] merucha.livejournal.com on July 22nd, 2009 07:07 pm (UTC)
Yep. You pick those moments where the REAL Gwen would peek through... My only comment would be that Gwen's problem is that she really never faces loss. Or maybe a better way to say it is that her losses are never permanent. And worse, she never faces consequences.

I like Gwen better in fanfic, because some of the best writers HAVE given her dimension. I'm not much of a Gwen basher, I like her too much for what she could become.
rhianona: kara and lee[personal profile] rhianona on July 22nd, 2009 10:33 pm (UTC)
Martha walking away is actually what redeems her for me. I don't like to ship the Doctor with anyone, one of the reasons I ended up hating Rose. (also, the bad characterization, where she would go from being completely awesome to being a little girl within one episode.) It really bothered me that we had the Rose/Doctor mooning over each other to Martha deciding she had fallen in love/lust with the Doctor right after meeting him. It bothered me a lot. But then, she walks away and that - that is just awesome, because it added another dimension to her. Now, I wonder if the Doctor hadn't sobbed over the Master's body and begged him to regenerate if she would have acted differently.
[identity profile] merucha.livejournal.com on July 22nd, 2009 11:57 pm (UTC)
Well, I can see falling in love with what the Doctor represents at first sight, and then realizing that the man is worthy of that love; but Martha is MAGNIFICENT when she walks away. I don't think anything the Doctor did would have made any difference, because Martha knew he would be hung up on Rose for a long while and it was beneath her dignity to play second fiddle. She walks away heartsore but in full possession of her self-respect.
rhianona: don't shoot[personal profile] rhianona on July 23rd, 2009 12:01 am (UTC)
I don't know. I half think that had the Doctor not cried over the Master she might have still stayed a while. But I do agree that she was tired of hearing about Rose and the Doctor mooning over her. And I know people complain about how feminist one character is or not, but Martha walking away like that? To me that exemplifies a feminist - one who puts what is best for her to the fore even if it doesn't match what the guy wants.
rhianona: donna[personal profile] rhianona on July 22nd, 2009 10:28 pm (UTC)
Re: Donna - I hated her in Runaway Bride. It wasn't until she became an actual companion in season 4 that she stole my heart and became my favorite companion after Ian, Barbara and Susan. But as you noted, some of the best female characters are the shrews, and Donna was definitely a shrew in RB.